About Me

What You Need to Know About Sculptor Robin Antar

My passion is to create virtual records of cultural and personal events that have impacted me greatly. All of my work is rooted in observation - whatever is going on, I express it in stone. It could come out as Pop art, as an abstract form, or as a combination of both. The style I use is one that best reflects the inspiration behind each piece.” - Robin Antar, sculptor

American sculptor Robin Antar tells stories in stone. From hyper-realistic icons of American pop culture tinged with the artist’s wry sense of humor to a deep dive into personal and national trauma and conflict, Antar’s parallel and intertwining bodies of work span her 40-year career as an artist-observer of American life and human nature.

How would you describe yourself as an artist?

I’m very aggressive which is why I prefer stone as my medium for communication. A lot of sweat and work goes into each piece. I’ll attack a 1500-pound block of Greek marble with seven-inch diamond blades and high-powered air hammers to chisel away at anxiety and frustration. I’m not afraid to go in, not afraid to “cut the line,” which gives my forms vibrant movement. You have to put the emotion in there, otherwise the work is dead.

What is the most powerful work you’ve created?

“David’s Knot in Flames” was created as a tribute to my son, David, who passed away at the age of 26. I carved a knot in stone - David had a very hard life and the knot represented his pain - but it breaks open into a flame symbolizing his soul rising to heaven.This was an extremely hard thing for a mother to do. But for me, as a sculptor, it was also a work of healing.The sculpture was installed on the grounds of Zucker Hillside Hospital and I recently received a letter from a patient telling me how the work and its story inspired her. That was the biggest high in the world.

What prompted your Realism in Stone series?

I began carving abstracts – Expressions in Stone - as a teen. Much later in my career, my son asked me one day if I could carve a giant sneaker. I throught it would be cool to do a Skechers boot so I contacted them and within five minutes I got a commission to replicate one of their boots! I never carved realism in stone before that commission. When I walked into the studio after it was finished - with the real boot next to the carved boot - I had to take a double take on which one was which. That’s when I knew this series would be successful.

R. Antar
Unveiling David's Knot In Flames
R. Antar
Carving out the bun for the Ballpark Frank

Why did you start working on condiments and food?

After 9/11, I began to ask, “What is America?” America is comfort food: Oreo cookies, a Ballpark Frank, a hamburger with fries. I also did condiments because every restaurant you go to there’s mayonnaise and ketchup – it’s a big thing for America. Actually I don’t like condiments. I don’t even have them in my house.

My Realism in Stone series became a statement of faith in the future of American culture while questioning the direction our society will take.

What is your most controversial piece?

When Donald Trump started running for president, I carved the hat he wore on the campaign trail: a white “Make America Great Again” golf cap. When I posted it on Instagram last year, the comments literally blew up - I lost hundreds of followers and had to take it offline because customers started boycotting one of my galleries. I’m not taking political sides, I created it because that’s America. I’m just an observer

What are you working on now?

I’m currently working on a sculpture titled “The U.S. Constitution in a Knot” to express all the craziness that is going on in our politics right now. It’s part abstract and part realism, combining the expression of conflict from my stone knot sculptures with my hyper-realism series as an observer of American history.

Is your work a celebration or a critique of America?

It’s an observation of what’s going on – nothing more, nothing less - and I express it in stone. It could come out as Pop art, as an abstract form, or as a combination of both. I am simply recording important moments in American history and creating monuments to American culture.

CV Highlights

Gallery Representation
  • Rarity Gallery, Mykonos Greece


  • POP Int’l Galleries, New York, NY


  • ABC Worldwide Stone, Brooklyn NY



• Wynn Newhouse Grant – 2012 www.wnewhouseawards.com/robinantar.html

Licensed Work
  • Editora do Brasil S.A. - work in educational book - 2016
  • Camel Cigarettes www.prod2.camel.com/hump/chiseled-reflections - 2016
Juried Competitions
  • Carrara Residency Program, New York Academy of the Arts - 2018
  • JOYA Barcelona Art Jewelry Fair - 2017
  • Carrara Residency Program, New York Academy of the Arts - 2017
Select Solo Shows

• Bombay Sapphire UnveilingPop International Gallery, New York, NY, 2018
• Realism in StoneDiesel Denim Gallery, New York, NY, 2002
• Robin Antar, The Commons, New York, NY, 1998
• Robin AntarSephardic Community Center (The Center), Brooklyn, NY, 1991
• Robin AntarHansford Gallery, New York, NY, 1983

Select Group Shows

• Allied Artists of America 100 yearsCanton Museum of Art, Canton, OH, 2015
• Hot Sauce and Brown LiquorRush Gallery, Brooklyn, NY, 2015
• Sculpture of Food, Bronx River Art Center, Bronx, NY,  2015
• Artists in ActionJewish Children’s Museum, Brooklyn, NY, 2014
• The National Association of Women Artists 125th Annual ShowMorris Museum, Morristown NJ, 2014
•  The National Association of Women Artists 120th Annual ShowJane Voorhees Zimmerli Art Museum at Rutgers University, New Brunswick, N.J., 2009
• The Really Big Shoe ShowCity Museum of St. Louis, St. Louis, MO, 2000
• The Millennium Exhibition, The Alternative Museum, New York, NY, 1999
 From Celestial to Earthly: Exploring The Environment through OurselvesPaterson Museum, Paterson, NJ, 1995
• More Artistic License, Nabisco Corporate Gallery, East Hanover, NJ, 1999
• Provincetown Art Association and Museum, Provincetown, MA, 1983

The National Association of Women Artists 120th Annual Show, Jane Voorhees Zimmerli Art Museum at Rutgers University, New Brunswick, N.J., 2009.

Select Art Fairs

• Red Dot Art Fair, New York, NY, 2011
• Affordable Art Fair, represented by Lurie Gallery, New York, NY, 2011
• Los Angeles Art Fair, CA, 2011
• New York Art Expo, represented by Art Marketing Group, New York, NY, 2004
• New Artists at Madison Square Garden, New York, NY, 1981

Public Art

“David’s Knot in Flames,” permanent public sculpture, Zucker Hillside Hospital, Glen Oaks, NY, 2015

Select Commissions

• Château Haut-Brion Wines, Paris
• Doc Marten’s footwear and clothing, London
• Skechers Footwear, U.S.
• Stella Artois Belgian pilsner, U.S.

Select Awards


• Art Ability, Honorable Mention, Bryn Mawr Rehab Hospital, Bryn Mawr, PA, 2012
• Supremely Important Artists of the World, 4th Place, World Wide Art Books, 2012
• Special Recognition, Upstream People Gallery, 2012
• The Gretchen Richardson Award for Carved Sculpture, The National Association of Women Artists, New York, NY, 2012
• Members and Associates Award, Allied Artists of America, New York, NY, 2011
• First Prize, Miami Arts, Miami, FL, 2010
• Healing Arts Competition, Manhattan Arts International, New York, NY,  2010


Bachelor’s of Fine Arts, School of Visual Arts, New York, NY, 1981